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'Belly' Dance

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فيروز - مسرحية ميس الريم Mays El Reem - Fairouz, Nasri Shams El Deen

Arabic for dummies (i hate the name by the way)

I Believe - Fairuz and the Rahbani Brothers فيروز - أومن

اومن أن خلف الحبات الوادعات
I believe that behind the gentle seeds
تزهو جنات
lies flowering Heavens
اومن أن خلف الليل العاتي الأمواج
 I believe that behind the violent waves
of the night
A lantern rises
اومن أن القلب الملقى في الأحزان
I believe that the heart that is suffering in grief
يلقى الحنان ...
will find gentle love
كلي إيمان
I am full of faith
اومن أن خلف الريح الهوجاء شفاه
I believe that behind the reckless wind
there are lips
تتلو الصلاة
that say a prayer
اومن أن في صمت الكون المقفل
I believe that in the silence of the closed universe
من يصغي لي
someone is listening to me
أني إذ ترنو عيناي للسماء
and when my eyes look at the sky ,
تصفو الأضواء
 the lights get clear
تعلو الألحان ...
and the music rises
كلي إيمان
I am full of faith

 fairouz fairooz fairuz fayrooz fayrouz fayruz فيروز الرحبانى الأخوين رحبانى الرحبانية

Everything is ending... - Majda el Roumi - from Lebanon كل شي عم يخلص

كل شي عم يخلص

 Everything is ending...

الحب والاحلام

 The love and the dreams...

كل شي عم يخلص

 Everything is endning

الضجر والايام

 Boredom and time

الطريق عم يخلص

 The road is ending

ونحنا بالطريق

 and we are or the road

والضباب يغطي في الرصيف

 and the fog covers the sidewalk

خدني حبيبي عجّل خدني

Take me my beloved

Hurry up and take me

الدنيي عم بتغيب

 The world is disappearing

دخيلك خدني

 please take me

ماتضيعني في الليل الغريب

 dont lose me

in the stranger night

خدني حبيبي عجّل خدني

 Take me my beloved

Hurry up and take me

من قدام الباب 

 from in front of the door

خبيني فقلبك

 Hide me in your heart

لا تتركني وحدي بالضباب

 Dont leave me

alone in the fog

كل شي عم يخلص

 Everything is ending...

السهر والاعياد

 The parties and celebrations

والسفر عم ينده

 and travel calls

بمطارح بعاد

 to far away places

الخريف عم يخلص

 the fall is ending

ونحنا في الخريف

 and we are in the fall

والضباب يغطي في الرصيف

 and the fog is covering the sidewalk

كل شي عم يخلص

Everything is ending...

وجوه الاصحاب

 Friends faces,

 كل شي عم يخلص

Everything is ending...

ضحكات الاحباب

 The laughs of the beloved ones

والعيد رح يخلص

 and the holidays will be soon over

وانا بهالعيد

 and i am here in the holidays

وحدي يا حبيبي وانت بعيد

 Alone, my beloved

and you're so far ...

يا محمد بويه محمد Mohammad, my precious Mohammad

ولك سال
They poured
ولك سال
and poured
لغيرك ما يسل دمعي ولك سال
for other than for you
my tears never pour
ولك سال
they poured
ولك سال

and poured
وعليك القلب ما تدري
Dont you know that
because of you

ولك سل
my heart withered
ولك سال
They poured
ولك سال
and poured

ولك سال
and poured
يا خايب
You're such a looser
يوم عن حالي
just for once
ask about how I'm doing
ولك اسأل
Ask
ولك سل
It withered
ولك سال
They poured
تركتني وما تدري شصار بي

you left me
and
you have no idea
what happened to me
يا محمد بويه محمد
Mohammad, my precious Mohammad
قتلي ليش تتعمد
Why do you intentionally kill me

يا محمد خاف من الله
Mohammad
Fear God
يا محمد مو فوق الله
يا محمد مو هذا الله
That's not the way to go, Mohammad
عيوني محمد
You are my eyes, Mohammad
قليبي محمد
You are my little heart, Mohammad

يا محمد شنهو ذنبي
Oh, Mohammad
What guilt have i committed
بين عداي وترميني
that made you throw me
among my enemies
لو تدري النار اللي بقلبي تكويني وتاذيني
If you only knew
about the fire that's in my heart
that is burning me
and hurting me
عيوني محمد
You're my eyes , Mohammad
قليبي محمد
You're my heart, Mohammad
يا محمد يا نور العين
Mohammad, you are the light of my eyes
ياللي سبيت الصوبين
you have driven everyone crazy
both sides
دجلة وفرات النهرين
the two rivers
Euphrates and Dijlah

بويا محمد
My precious Mohammad
عمي محمد
My Darling Mohammad
this part down here is part of the song but not in this version
يللي اغلى من روحي
You are the one who is more dear to me
than my own soul

ليش تزيدني تعذيب
why are you
torturing me
more and more
حبك مرهم لجروحي
your love is an ointment
for my wounds
وجروحي برضاك تطيب
and my wounds
heal
when you are ok with me

عيوني محمد
You are my eyes, Mohammad
قليبي محمد
You are my little heart , Mohammad
يا محمد بويه محمد
Mohammad, My baby Mohammad
. قتلي ليش تتعمد
Why do you deliberately kill me
يا محمد خاف من الله
Mohammad, fear God
يا محمد مو هذا الله
That's not the right way
عيوني محمد
You are my eyes, Mohammad

بيع الجمل يا علي sell the camel, Ali : Samira Twfiq- The Gypsy from Jordan

قلبي افطر نصين
My heart was broken into two halves
هون وهون
here and here
وشلون يا ويلي اداري
and oh dear how can i  hide it?
 شلون؟
how?

لون الفرح يا ناس
The color of happiness , Oh people,
مادري بيه
I dont know it,
ولونك يا غربة
and your colors, daispora,
الف لون ولون
are one and a thousand colors

بيع الجمل يا علي
sell the camel, Ali
واشتري مهر الي
and buy my dowry
كرمي لوح واستوى
my vine is swaying and has ripened
والعنب طاب وحلي
and the grapes are good and sweet
بيع
sell
بيع
sell
بيع
sell
بيع
sell
بيع  الجمل يا علي
sell the camel, Ali

يا علي بيع الجمال
Ali, sell the camels
قبل مايضيع الجمال
before the beauty is lost
واهدي بويا ذهب ومال
and gift my father gold and money
واشتريني يا علي
and buy me , Ali

ياعلي بويا طميع
Oh, Ali, My dad is gready,
شو عندك يا حبيبي بيع
whatever you have my beloved, sell it,
لو تتأخر انا رح ضيع
if you are late I will be lost
لا تضيعني يا علي
dont lose me , Oh Ali ..


انا وانت بيكفينا
me and you will be satisfied
بيت زغير يدفينا
with a small home that warms us
ويطعمينا ويسقينا
and God of the heavens
رب السما يا علي
will feed us and provide for us

عبدالله الرويشد ... قلبي معك - من الكويت - My Heart is with you - Abdalla Rweished from Kuwait

 قلبي معك يا مشغل البال ملتاع

My heart is with you

burning

you

the one who

occupies  my mind

 يلّي تدوّر ما يزيد التياعي

you

the one who

seeks all that would

increase my heartache

 المشكلة انك فاهمٍ كل الاوضاع

 The problem is that

you understand the situation well

وما للهجر في الحب يا زين داعي

 and there is no reason

for leaving who you love

خليت قلبي يرتجف بين الاضلاع

 you made my heart shiver

inside my ribs

يصبح علي الصبح ما نمت واعي

the morning comes

and I havent slept a wink

فيك الرجا يا  مشقي الروح  ما ضاع

 hope hasnt been lost in you,

torturer of my soul

وعيّت عيوني قبل غيرك تراعي

 and my eyes refuse to

see other than you

 ياللي عيونك حلوةٍ سودٍَ ووساع

 you

the one who has

beautiful, wide black eyes

معذور لو جيت الهوا باندفاعِ

 I am not to blame

for going into your love

without hesitation

ياما نهيت القلب لا شك ما طاع

 So often I forbade my heart

it didnt obey

راضي بغرام اللي سعى في ضياعي

 satisfied with loving

the one who seeks my doom

Jordanian Folklore - Oh my stubborn dad :) يا عنيد يا يابا

 They went down to the garden نزلن على البستان
 Oh my stubborn dad  يا عنيد يا يابا
and they died their hair with henna وحنن شعرهن
 

All girls are stars كل البنات نجوم
 Oh my stubborn dad  يا عنيد يا يابا
  and mom , she is their moon!  يمه وهية قمرهن

 (she is ) My eye and the water of my eye  عيني ومي عيني
 Oh my stubborn dad  يا عنيد يا يابا
She 's worth my family and all my relatives تسوى هلي وكل القرابا
 Oh my stubborn dad  يا عنيد يا يابا


I will sit alone in the end of the night لاقعد بتالي الليل
 Oh my stubborn dad  يا عنيد يا يابا
And I swear I'll remember my lover والله واذكر وليفي

 And using the excuse that I had a bad dream وبحجة الحلمان
 Oh my stubborn dad  يا عنيد يا يابا
Oh mom , I can cry as much as I want to يمه لابكي عكيفي

 (she is ) My eye and the water of my eye  عيني ومي عيني
 Oh my stubborn dad  يا عنيد يا يابا
She 's worth my family and all my relatives تسوى هلي وكل القرابا
 Oh my stubborn dad  يا عنيد يا يابا

An old man from the land of Miknas شويخ من ارض مكناس - خالد الشيخ

What do I owe my friend  ايش عليا يا صاحب
   to all creatures? من جميع الخلايق

   Do good and you'll be saved... افعل الخير تنجو
  And follow people of the truth... واتبع اهل الحقايق

 Dont say my son a word... لاتقل يا بني كلمة
Unless you are being honest... الا ان كنت صادق
 Take my words and in a paper... خذ كلامي في قرطاس
 write them as a treasure from me... واكتبه حرز عني
 what do I owe people... ويش عليا انا من الناس
and what do people owe me... ويش على الناس مني

a little old man from the land of Miknas شويخ من ارض مكناس
in the middle of the markets sings وسط الاسواق يغني
I dont owe people anything  ايش عليا انا من الناس
 and they owe me nothing at all    وايش على الناس مني

About the Arabic Language

from http://www.translationtoarabic.com

The term classical Arabic refers to the standard form of the language used in all writing and heard on television and radio as well as in mosques. The diverse colloquial dialects of Arabic are interrelated but vary considerably among speakers from different parts of the Middle East. These dialects differ from standard Arabic and from one another in pronunciation, vocabulary, and grammar and are usually labeled according to major geographic areas, such as North African, Egyptian, and Gulf. Within these broad classifications, the daily speech of urban, rural, and nomadic speakers is distinctively different. Illiterate speakers from widely separated parts of the Arab world may not understand one another, although each is speaking a version of Arabic. The sound system of Arabic has 28 consonants, including all the Semitic guttural sounds produced far back in the mouth and throat. Each of the three vowels in standard Arabic occurs in a long and short form, creating the long and short syllables so important to the meter of Arabic poetry. Although the dialects retain the long vowels, they have lost many of the short-vowel contrasts.

All Arabic word formation is based on an abstraction, namely, the root, usually consisting of three consonants. These root sounds join with various vowel patterns to form simple nouns and verbs to which affixes can be attached for more complicated derivations. For example, the borrowed term "bank" is considered to have the consonantal root b-n-k; film is formed from f-l-m. Arabic has a very regular system of conjugating verbs and altering their stems to indicate variations of the basic meaning. This system is so regular that dictionaries of Arabic can refer to verbs by a number system (I-X). From the root k-s-r, the Form I verb is "kasar"="he broke"; Form II verb is "kassar"="he smashed to bits"; and Form VII is "inkasar"="it was broken up." Nouns and adjectives are less regular in formation, and have many different plural patterns. The so-called broken plurals are formed by altering the internal syllable shape of the singular noun. For example, for the borrowed words bank and film, the plurals are, respectively, "bunuk" for banks, and "aflam" for films.

Normal sentence word order in standard Arabic is verb-subject-object. In poetry and in some prose styles, this word order can be altered; when that happens, subject and object can be distinguished by their case endings, that is, by suffixes which indicate the grammatical function of nouns. These suffixes are only spelled out fully in school textbooks and in the Quran to ensure an absolutely correct reading. In all other Arabic texts, these case endings (usually short vowels) are omitted, as are all internal short-vowel markings.

The Arabic script does not include letters for these vowels; instead, they are small marks set above and below the consonantal script. The Arabic script, which is derived from that of Aramaic, is written from right to left. It is based on shapes that vary according to their connection to preceding or following letters. Using a combination of dots above and below 8 of these shapes, the full complement of 28 consonants and the 3 long vowels can be fully spelled out. The Arabic alphabet has been adopted by non-Semitic languages such as Modern Persian (or Farsi), Urdu, Malay, and some West African languages such as Hausa. The use of verses from the Quran in Arabic script for decoration has led to the development over 1400 years of many different calligraphic styles. Calligraphy is a high art form in the Arab world.

The long history of Arabic includes periods of high development in literature. The Arabic of medieval writing is termed Classical Arabic. Modern Standard Arabic is a descendant of Classical Arabic; frequently, however, the stylistic influence of French and English is evident. In the 20th century, in particular, much scientific, medical, and technical vocabulary has been borrowed from French and English.

Arabic belongs to the Semitic branch of AFROASIATIC LANGUAGES and is the national language of about 250 million inhabitants of North Africa, the Arabian Peninsula, Syria, Lebanon, Jordan, and Iraq. Outside these areas, it is spoken by Arabs living in Israel, and in some parts of sub-Saharan Africa, North and South America, and Soviet Central Asia. Since it is the language of the QURAN some limited knowledge of it exists throughout the Muslim world.

All Arabs have as their mother tongue some local variety of Arabic. These vernaculars differ markedly so that, for example, Moroccan Arabic is virtually unintelligible in Iraq. The local vernacular is used in everyday commerce, but rarely written. Contrasting to the local vernaculars is standard, or formal, Arabic, which is used for writing and formal speech. Because it must be learned at school, large sectors of the Arab public do not command it sufficiently to use it themselves, although radio and other media are gradually spreading its comprehension. Standard Arabic has remained remarkably stable. In grammar and basic vocabulary the Arabic literature produced from the 8th century to the present is strikingly homogenous; the works of medieval writers differ from the standard Arabic hardly more than Shakespeare's language differs from modern English.

Standard literary Arabic is capable of expressing the finest shades of meaning. The vernaculars in their present form cannot perform the same task. If they were adapted, such a development would fatally split the unity of the Arab world. Today tensions exist between the standard language and the vernaculars, particularly in imaginative literature. In drama the demand for realism favors the vernacular, and many poets are tending toward their mother tongue. In the novel and short story, the trend is toward having the characters speak in the vernacular while the author uses formal language. Some of the most celebrated living novelists and poets, however, write exclusively in the standard language.

The term Middle East refers collectively to Cyprus, Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Saudi Arabia, Syria, Turkey, Yemen, and the states and emirates along the southern and eastern fringes of the Arabian peninsula, namely, Bahrain, Oman, Qatar, and the United Arab Emirates (Cyprus, Iran, Israel, and Turkey are not Arab countries and have different cultures and languages). Other Arab countries which are not geographically part of the Middle East, but are, nevertheless, integral parts of the Arab world are: Sudan and Djibouti in East Africa; and Libya, Tunisia, Algeria, Morocco, Mauritania, and to some extent Chad. Presently more than 200 million Arabs are living mainly in 21 countries. The Arabic language is the main symbol of cultural unity among these people.

من روائع جبران خليل جبران

    البعض نحبهم
لكن لا نقترب منهم ........ فهم في البعد أحلى
وهم في البعد أرقى .... وهم في البعد أغلى

والبعض نحبهم
ونسعى كي نقترب منهم
ونتقاسم تفاصيل الحياة معهم
ويؤلمنا الابتعاد عنهم
ويصعب علينا تصور الحياة حين تخلو منهم.

والبعض نحبهم
ونتمنى أن نعيش حكاية جميله معهم
ونفتعل الصدف لكي نلتقي بهم
ونختلق الأسباب كي نراهم
ونعيش في الخيال أكثر من الواقع معهم

والبعض نحبهم
لكن بيننا وبين أنفسنا فقط
فنصمت برغم الم الصمت
فلا نجاهر بحبهم حتى لهم لان العوائق كثيرة
والعواقب مخيفه ومن الأفضل لنا ولهم أن تبقى
الأبواب بيننا وبينهم مغلقه...

والبعض نحبهم
فنملأ الأرض بحبهم ونحدث الدنيا عنهم
ونثرثر بهم في كل الأوقات
ونحتاج إلى وجودهم .....كالماء ..والهواء
ونختنق في غيابهم أو الابتعاد عنهم

والبعض نحبهم
لأننا لا نجد سواهم
وحاجتنا إلى الحب تدفعنا نحوهم
فالأيام تمضي
والعمر ينقضي
والزمن لا يقف
ويرعبنا بأن نبقى بلا رفيق

والبعض نحبهم
لان مثلهم لا يستحق سوى الحب
ولا نملك أمامهم سوى أن نحب
فنتعلم منهم أشياء جميله
ونرمم معهم أشياء كثيرة
ونعيد طلاء الحياة من جديد
ونسعى صادقين كي نمنحهم بعض السعادة

والبعض نحبهم
لكننا لا نجد صدى لهذا الحب في
قلوبهــم
فننهار و ننكسر
و نتخبط في حكايات فاشلة
فلا نكرههم
ولا ننساهم
ولا نحب سواهم
ونعود نبكيهم بعد كل محاوله فاشلة

.. والبعض نحبهم ..

.. ويبقى فقط أن يحبوننا..
.. مثلما نحبهم

جبران خليل جبران

لمتى؟

لمتى حبك بَالحشا ساكن
وانتَ تِّمنع؟
لمتى روحي فؤادي فرحمتَك
وانتَ تِّدلع؟
يا قمر يالساكن بالسِما عالي
جيت اشتكيلك همّي والكدر
جيتك اشتكيلك وانِتْ أدرى بحالي
لوعتي عذابي بحُبَّك قَدَر
يا شامخٍ حِلْمُ وهيهاتِ تنطالي
يا بعد الحشا والروح والنظر
من يومٍ عرفتك سكنت بخيالي
إنسلِّ عودي وحالي تبدَّل
يا نجمةٍ تَلمع بالسما وتلالي
منك شحوبي ووضعي تِحَوَّل
أعياني سهدي وَالشوق يا سالي
بعد وجفا وصدود و ماقدر اتِّحَمل
مستوطنٍ بالذهن يا غالي
وما هقيت ذكري على بالك خطر
كيف انساك كيف انسى اللِيالي؟
كِلْ لحظةٍ في حضورك عُمُر
قربَك حياةْ وبعدك هلاكي
يا أغلى من اغلى الناس والبِشَر
أعياني الرّجا وذلّي وابتهالي
عْلامك قليبك اقسى من حجر؟
تسخر من تِشوف حرقتي ولا تبالي
وارجا قلبي الملتاع يصطبر
أضحيت الهدف وكل الآمال

ما اصدّق العيشة بعدك تستمر

- - حد فاضي ورايق كتب هذه ال"قصيدة" (مش انا) - القـــافية النونيـــة

القـــافية النونيـــة
أيـــــا ذا القـلب لا تحـــــزن فــــــذاك الحـب Infection
فـلـن تجــــــدي عقــــــاقير ولن تشفــــــيك Injection
فـــكم من عـاقـــــل فطـــن مضى بالحــب Direction
سـتـنـــــكره وتـنـســــــــاه ولن يبـــــقى له Mention
فـلا تنــــــــظم له شعــــراً ولا تكـتــــــب له Section
ولا يحــــــــزنك من باعك فقد أخطــــأت Selection
ولا تبـــــدي له أســـــــفـاً ولا تبــــــــــدي له action
فـــــــــــــإن الحب منـزلةٌ لبعض الناس exception
فبعض الناس إن هجـروا فلا حـــــزنٌ ولا tension
وبعض الناس إن هجروا يظل ويبـقى connection
فوصــــــل الروح إقبـــالٌ وما أحـــــــــلاه reaction
بدعـوات ومن قــلــــــب لها أثــــــــــر و affection
فـــإن لم يبـــــق لي شيء فلا حــــــــب ولا Passion
فــلا أسـف عـلى دنـيــــــا لـك وعليــك conversion

words for LOVE in Arabic

Alâqa : liaison
'araq : insomnie
Balâbil : tourments
Cha'af : souffrances
Chaghaf : désir
Chajan : chagrins
Chajw : souci et tristesse
Chawq : nostalgie-désir
Da'mukhâmir : affection sans répit
Danaf : mal chronique
Futûn : désorientation sous l'effet de la séduction
Ghamarât : débordement
Gharâm : passion
Hanîn : nostalgie
Hawâ : tomber en amour
Hurqa : brûlure
Huyâm : transport d'amour
Huzn : tristesse
Ichq : amour passionné
Ikti'âb : mélancolie
Istikâna : apaisement
Jawâ : consomption
Junûn : folie
Kalaf : épreuve
Kamad : amour étouffé
Khabal : confusion mentale
Khilâba : envoûtement
Khilla : amitié profonde
Khulm : ien affectueux
Lâ'ij : affection douloureuse
Ladh' : morsure du feu
Lahaf : avidité
Law'a : amour lancinant
Lumam : transgressions minimes
Mahabba : amitié constante
Miqah : attachement prévenant
Rasiss : fièvre
Sabâba : finesse et ardeur du sentiment amoureux
Sabwa, sabâ : penchant pour les jeunes femmes
Sadam : affection suivie d'abbatement
Suhd : insomnie
Talabbud : adoration(mais on n'adore qu'Allah,swt)
Tabâla : anéantissement de langueur
Tabârîh : rigueurs
Tadlîh : stupeur et déraison
Tatayyum : sujétion par extase
Wahl : frayeurs
Wajd : véhemence d'amour
Walah : stupeur
Wasb : mal chronique
Widd : pureté et délicatesse